Hornet Speaks: Why Silksong's Protagonist Changes Everything
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When I first stepped into the strange, gilded kingdom of Pharloom in Hollow Knight: Silksong, I expected another quiet pilgrimage through ruined corridors. I had played the first Hollow Knight, and I remembered how The Knight drifted through Hallownest like a ghost who never answered anyone. But Silksong, which launched on September 4, 2025, after one of the longest waits in modern indie gaming, did not give me another silent vessel. It gave me Hornet. And from the first conversation I had with a nervous pilgrim, I knew the narrative rules had changed. The Silence of The Knight In the first Hollow Knight, I controlled a standard silent video game protagonist. The Knight never speaks, at least not in any clearly defined way. Like in other seminal franchises such as The Legend of Zelda, this muteness is mostly ignored by NPCs. They monologue. They provide exposition. They pontificate without feeling discouraged by the silence of their conversation partner. For a long time, I accepted this as normal. Many games do it. But Silksong's more conventional storytelling approach lays bare the shortcomings of that convention. I still love the first game. Its atmosphere, its mystery, and its lonely rhythm all worked for me. Yet when I compare my time as The Knight with my time as Hornet, the difference is not minor. It is fundamental. Hornet does not merely exist in the world. She participates in it. She argues, asks, thanks, threatens, and listens. She has a personality, and that personality shapes every encounter. Hornet Speaks, and the Story Breathes Not only does Hornet talk, she talks a great deal. She is a princess, after all, and this royal status is reflected by her courteous, chivalrous manner of speech. I noticed it immediately. She takes control in many conversations, exhibiting a cool elegance while still commanding respect and getting what she wants. For instance, if she is lost and needs to know where to go, she will actually ask a friendly NPC for advice instead of just standing there silently while they chip away at some vague, aloof speech. That small change made me feel like an active traveler rather than a passive witness. This helps give Silksong's narrative more structure in comparison to the first game, but it also goes a long way toward immersion and overall story effectiveness. I found myself remembering names, places, and promises because Hornet treated them as real. When she spoke, the world spoke back. When she asked a question, I wanted to know the answer. That is not something I can say about every silent-protagonist adventure I have played. A Defined Personality Can Be Easier to Inhabit A commonly cited advantage of the silent protagonist is their capacity to be a blank slate for the player to project themselves onto. I understand the appeal. In theory, a silent hero lets me become the character. In practice, this does not always work out as planned. It is hard to relate to a character who never responds during conversations, for obvious reasons. I can project only so much onto a mask that never moves. Despite Hornet having a considerably more well-defined personality than The Knight, she is, in a sense, easier to inhabit as a player. She more accurately represents how someone in her position may actually act. She is not an empty shell. She is a princess, a hunter, a protector, and a stranger in a dangerous land. On top of all this, she is, for lack of a better word, more 'human.' That humanity made me care about her choices instead of merely steering her toward the next objective.
https://dealnesthq.com
https://dealnesthq.com
When I first stepped into the strange, gilded kingdom of Pharloom in Hollow Knight: Silksong, I expected another quiet pilgrimage through ruined corridors. I had played the first Hollow Knight, and I remembered how The Knight drifted through Hallownest like a ghost who never answered anyone. But Silksong, which launched on September 4, 2025, after one of the longest waits in modern indie gaming, did not give me another silent vessel. It gave me Hornet. And from the first conversation I had with a nervous pilgrim, I knew the narrative rules had changed. The Silence of The Knight In the first Hollow Knight, I controlled a standard silent video game protagonist. The Knight never speaks, at least not in any clearly defined way. Like in other seminal franchises such as The Legend of Zelda, this muteness is mostly ignored by NPCs. They monologue. They provide exposition. They pontificate without feeling discouraged by the silence of their conversation partner. For a long time, I accepted this as normal. Many games do it. But Silksong's more conventional storytelling approach lays bare the shortcomings of that convention. I still love the first game. Its atmosphere, its mystery, and its lonely rhythm all worked for me. Yet when I compare my time as The Knight with my time as Hornet, the difference is not minor. It is fundamental. Hornet does not merely exist in the world. She participates in it. She argues, asks, thanks, threatens, and listens. She has a personality, and that personality shapes every encounter. Hornet Speaks, and the Story Breathes Not only does Hornet talk, she talks a great deal. She is a princess, after all, and this royal status is reflected by her courteous, chivalrous manner of speech. I noticed it immediately. She takes control in many conversations, exhibiting a cool elegance while still commanding respect and getting what she wants. For instance, if she is lost and needs to know where to go, she will actually ask a friendly NPC for advice instead of just standing there silently while they chip away at some vague, aloof speech. That small change made me feel like an active traveler rather than a passive witness. This helps give Silksong's narrative more structure in comparison to the first game, but it also goes a long way toward immersion and overall story effectiveness. I found myself remembering names, places, and promises because Hornet treated them as real. When she spoke, the world spoke back. When she asked a question, I wanted to know the answer. That is not something I can say about every silent-protagonist adventure I have played. A Defined Personality Can Be Easier to Inhabit A commonly cited advantage of the silent protagonist is their capacity to be a blank slate for the player to project themselves onto. I understand the appeal. In theory, a silent hero lets me become the character. In practice, this does not always work out as planned. It is hard to relate to a character who never responds during conversations, for obvious reasons. I can project only so much onto a mask that never moves. Despite Hornet having a considerably more well-defined personality than The Knight, she is, in a sense, easier to inhabit as a player. She more accurately represents how someone in her position may actually act. She is not an empty shell. She is a princess, a hunter, a protector, and a stranger in a dangerous land. On top of all this, she is, for lack of a better word, more 'human.' That humanity made me care about her choices instead of merely steering her toward the next objective.
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46 mins. ago
